Browsing: July-August 2006

July-August 2006

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GAVIN BUTT’S BACKSTAGE exposé of the New York art world of the 1950’s careens between artsy jargon and artsy gossip. He rather defensively lays out his thesis in a lengthy introduction peppered with breathless 55-word sentences stating his themes. Doubtless the author is on his guard because he incorporates hearsay, rumor, and urban legend into dissection of this pivotal post-World War II Manhattan subculture.

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THE CHALLENGE for any writer of a memoir is to make the story interesting to someone else who, unlike a psychotherapist, isn’t being paid to hear it. A writer’s fame can guarantee an audience, but those lacking fame often resort to hyperbole and sensational drama. This is not true of Wade Rouse in his coming-of-age memoir, America’s Boy. …

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… a fast-moving novel about the artists and writers who flocked to Luhan’s salon in New Mexico in the 1930’s. …

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ON APRIL 28, 2006, “March of Toleration,” a gay parade, was attacked in Kraków. Youth activists of the parliamentary party League of Polish Families threw stones, eggs, bottles, and slurs at peaceful GLBT marchers. …

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FROM SHAKESPEARE to Mrs. Doubtfire, gender deception as a plot device usually has a predictable trajectory. The elaborate subterfuge, no matter how it’s initially conceived, ends up revealing more to the deceiver than s/he ever anticipated. After much hand-wringing, not to mention comedy, the costume comes off, the truth comes out, hearts are (perhaps) broken and mended, and valuable lessons are learned. Much of the same can be said for Norah Vincent’s unique book, Self-Made Man …

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THE NAME “Ivor Novello” is perhaps only recognized on these shores by those Robert Altman movie fans who saw the director’s stylish British manor house whodunit Gosford Park (2001).

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MY PARTNER in commitment claims he is straight, always has been straight, and could never imagine himself engaging in sexual activity other than with a woman. He says he did not choose his straightness, this is just the way things are.

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FUNNY, MOVING, FURIOUS, and dazzling, Eleanor Lerman’s Our Post-Soviet History Unfolds (Sarabande, 2005) sounds the note of the times, the era of American Imperialism, the days of our Bush-filled lives. Lerman is able to capture brilliantly the wacky and weary sense of stymied idealism of a generation that grew up hoping for better things for America.

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“WHEN THE FIRST Christian pervert, St. Paul, made nature a crime against Christianity, civilization was finished,” writes poet Harold Norse in “Nocturnal Emissions” (1973). “Had he been handsome instead of hideous, the whole course of history might have been happier.” Norse’s opinion is shared by novelist Gore Vidal who, in Live from Golgotha (1992), presents Paul as a sexually maladroit troll obsessed with the handsome, teenaged Timothy.

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[Edmund] White shared his thoughts about his new book just prior to its April release at his home in the Chelsea section of Manhattan, where he has lived with Michael Carroll since 1995.

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