Browsing: September-October 2009

September-October 2009

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“ADVENTURE” is a word that was always exciting and special to me, but I never knew I would experience an adventure I could only dream about. An adventure that brought me from Russia to British Columbia, Canada. My first truly bold and independent step in life was choosing to be with the person I love. There were two things about my decision that my family and friends in Russia were unhappy about. My partner is foreign and she is a woman.

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Commissioned by the Guthrie Theater in Minneapolis, The Intelligent Homosexual‘s Guide was designed as the centerpiece of a three-stage “Kushner Celebration,” making full use of the Guthrie’s towering new facility designed by Jean Nouvel. “The play is set in Brooklyn in 2007,” Kushner told Lavender, Minnesota’s GLBT magazine, “and it involves a 75-year-old longshoreman and his three kids.

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With its robust eighteen tracks, Abnormally Attracted to Sin is similarly attentive to the battle of the sexes and, by extension, embattled sexualities. “Fire to Your Plain” builds a house of mirrors with a female speaker “watching you watching her play this game” of sexual attraction.

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Reviews of the books: My Germany, and The Torturer’s Wife & Fool For Love, and the movie, Tal Como Somos.

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WHEN the U.S. military’s “Don’t ask, don’t tell” policy went into effect on March 1, 1994, it sounded like a way for the military to look the other way when it came to lesbians and gays in uniform, a sort of “we just won’t discuss it” edict. But the “don’t ask” clause whereby a superior couldn’t ask about a soldier’s sexual orientation came with a “don’t tell” clause that forced gay soldiers not to disclose their sexual orientation in any way. Since word often got out one way or another, many thousands of soldiers have been discharged over the past fifteen years.

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ONE REASON for the fragmentary nature of much of the gay historical record is the reticence on the part of members of earlier generations to discuss their lives directly. Even in the early decades of the 20th century, relatively few gay men had the opportunity to tell their story for posterity. This makes the publication of a book like James T. Sears’ Edwin and John: A Personal History of the American South a noteworthy event.

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THE HARLEM RENAISSANCE: scene of scintillating literary salons, endless nightlife, after-hours parties, and a lot of drinking, if Richard Bruce Nugent’s writing is any indication, but it was also a sweatshop of intellectual productivity. The Renaissance writers’ often confessional work was at times treated disdainfully during their lifetimes, labeled the “cabaret school” by some literary critics of their day.

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QUEER THEORY has been criticized on a number of grounds, notably for its difficult language and abstruse categories; in Queer Optimism, Michael D. Snediker charges queer theory with a pervasive negativity and pessimism, a mood that causes its practitioners to focus most of their attention and analysis upon negative emotions rather than affirmative ones.

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NAIRNE HOLTZ WRITES like an old soul in a Generation-X body. Her tales of gay/lesbian/bisexual/transgender/genderqueer/label-free characters in various Canadian cities are both timeless and in touch with the Zeitgeist. The wit in her writing is so dry that the reader is likely to notice its pessimism before recognizing its sparkle.

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Cheever lived a life of pretense-about his sexuality and his gentility. He discovered early on that words were the way to beguile readers, and maybe himself, into believing that his hoped-for world was possible. Blake Bailey’s biography demonstrates how close the connection was between Cheever’s life and his writing. It is a sad book, but if it sends readers back to this writer’s stories and novels, it will have done John Cheever a worthwhile service.

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