Browsing: March-April 2010

March-April 2010

Blog Posts

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Once upon a time, American men could openly express intense love for each other without shame or self-consciousness, without any sense of being effeminate or unnatural. Such ‘manly love’ did not preclude emotional, sexual, or conjugal relationships with women. This is Axel Nissen’s argument in Manly Love: Romantic Friendship in American Fiction. …

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Reviews of Beauty Salon, Andy Warhol by Arthur C. Danto, and And Baby Makes More: Known Donors, Queer Parents,and Our Unexpected Families.

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As is our custom, we pay our respects-belatedly this year-to some of the prominent writers, artists, and activists from the GLBT community who left us during the past year.

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Congresswoman Tammy Baldwin (D-Wisconsin) took the lead in formulating this letter to President Museveni of Uganda when that country’s parliament was considering a bill to make homosexuality a capital crime. The same group of legislators sent a similar letter to President Obama urging him to act on this matter.

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F. SCOTT FITZGERALD famously remarked that over-using the exclamation point is like laughing at your own jokes. If so, singer-songwriter Rufus Wainwright is often guilty of such self amusement: On the heels of his 2007 DVD Rufus! Rufus! Rufus! Does Judy! Judy! Judy!,Wainwright’s latest is another live album entitled Milwaukee At Last!!!

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NEAR THE BEGINNING of A Single Man, the 1964 novel by Christopher Isherwood on which Tom Ford’s new movie is based, a college English professor named George tells his class the story of Tithonus, a beautiful mortal who, after the goddess in love with him asks Zeus to grant him immortality, ages into a very old man because the goddess has forgotten to ask for the gift of eternal youth. …

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THIS VOLUME presents itself as the first anthology to include a full range of gay men’s autobiographical writings, and editor David Bergman accomplishes this by presenting about forty entries spanning some 150 years …

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The most striking and significant aspect of Plante’s memoir is its form. Comprised solely of a series of fragments, each no longer than a paragraph, The Pure Lover takes on a pensive and elliptical tone that works well with Plante’s themes and content on several levels.

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