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By Jonathan Alexander
Both of these shows also offer us portraits of queer life and love amidst the homophobia of the mid to late twentieth century. But as I watched and thought about the film and series, I came to feel more and more…baited — queerbaited by the representation of our own history.

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By Gregory Walters
I grew up at a time when there weren’t any visible or out homosexuals. Liberace had stated under oath he wasn’t gay. Elton John was married to a woman, Paul Lynde was a harmless, snarky coot on Hollywood Squares, and Charles Nelson Reilly, a regular on Match Game, just seemed kooky.

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By Cassandra Langer
“Visceral and shocking to many, Linus Borgo’s first solo show, Monstrum, at Yossi Milo Gallery on Tenth Avenue in the trendy, Chelsea art district of NYC, seeks to awaken and educate viewers on what one is willing to sacrifice to feel at home in their body.”

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By Ronald Valdiserri
It began with the illness and death of my brother’s partner Tommy, the loss of our dear college friend (the character Lenny in the novel), and my brother Edwin’s HIV diagnosis. Like so many gay men, I felt compelled to take action.

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