By Brian Alessandro
Like the novel by William S. Burroughs on which it is based, Luca Guadagnino’s film adaptation of Queer is less about homosexuality than about the agonies and ecstasies of being a soul trapped in an aging, alienated body.
By Damisola Sulaiman
How do you accept that your closet is a country, that the place that made you into the person you are, is where you can’t be yourself?
By Dale Corvino
We the Parasites is a deeply personal and ekphrastic poem-as-essay. It pursues its end to contaminate criticism with the queerest of methods. Dig in.
By Wendy Rouse
When I began researching the book Public Faces, Secret Lives: A Queer History of the Women’s Suffrage Movement, people warned me that I wouldn’t find much. They weren’t wrong.
By Mecca Jamilah Sullivan
As a writer, my characters’ queerness is always as central to their stories as their Blackness, their gender, or their size. For me, this is what it means to create full characters: they have multiple facets, live in multiple worlds, and it’s the precise alchemy of such multiplicity that defines them.
By Mike Dressel
Spread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention.
