In 1927, Arnold Pyle (1909–1973), one of Wood’s former students, became his assistant. Pyle was eighteen and Wood, 36. Good-looking, tall, athletic, with thick black hair, the heterosexual Pyle epitomized the type of man Wood continued to fall for, over and over, throughout his life.
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Willa Cather aspired to the status of Artist while living with, and getting help from, a very intelligent woman (Edith Lewis) who had given up the arts to earn a living by selling soap.
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NO ISSUE on “the Heartland” would be complete without an article on Chicago, undoubtedly the beating heart—or is it the brain?—of this vast expanse. With this realization, I immediately thought of John D’Emilio as the logical person to contact for a targeted tutorial on Chicago’s LGBT history and culture. A longtime contributor to this magazine …
MoreMary Meigs and Barbara Deming shared a preference for an austere life close to nature, and political involvement based on the principle of nonviolence.
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As for [Grant’s] relationship with “Randy Scott,” you’ll have to read Eyman’s sensitive if sometimes dark account of Grant to draw your own conclusions. Eyman provides background on the Hollywood studio system and its many players while sounding the depths of Grant’s emotional turmoil. Randolph Scott’s place in the puzzle of Grant’s emotional life is best discovered by reading this often entertaining but sometimes intentionally confounding life story of one of Hollywood’s great stars.
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Samuel Delany’s 1974 novel Dhalgren is described as “psychogeographic.” The novel has a distinct, urban location—Bellona—but it is ultimately impossible to decide whether this peripatetic novel takes place in a dystopian U.S. city or in an incarcerated person’s mind. The answer is: both.
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LIBERIAN-BORN Cheryl Dunye grew up in Philadelphia, which is where she began her career as a filmmaker, a term that includes directing, producing, and acting in her films. Her first films were a series of shorts about her experience as a Black lesbian, and they combined documentary and narrative elements in what came to be called “Dunyementaries.”
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THE EPICENTER of gay culture lies in Black gay, same-gender-loving, trans, lesbian, bisexual, and queer language. Black gay and queer vernacular has had a major impact on the larger LGBT+ community. The ability to modify and explore the dynamics of language to enhance our idea of an inclusive culture—one that allows freedom of gender and sexual expression—pierces through the heights of creativity. At the root of this language, now woven through mainstream society, there is a deep and complex history of the Black and queer communities. It comes with a shared legacy of hate, racism, discrimination, and oppression engendered by people who faced systematic attacks for being both Black and queer.
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Langston Hughes’ name is among the most recognizable in 20th-century American letters. The Harlem Renaissance poet par excellence, Hughes was the writer who brought blues to poetry, the visionary who spoke of knowing “rivers ancient as the world,” the author of the metaphor that gave Lorraine Hansberry’s great play A Raisin in the Sun its name. He toured widely on two continents, was quoted by leaders like Martin Luther King, Jr., and lived what seemed to be a very public life. And yet, in a number of crucial respects, Hughes remains a mystery.
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THE MYSTERY of the serial murders whose perpetrator came to be known as the Last Call Killer began when a maintenance man was cleaning up a rest area on the Pennsylvania Turnpike one spring afternoon in 1991, and he discovered in one of the garbage bags a freckled piece of human flesh.
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