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SUSAN S. LANSER, professor emerita of English, Gender and Sexuality Studies, and Comparative Literature at Brandeis University, is a specialist in 18th-century European literature, with a focus on women writers and issues related to gender and sexuality.

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THIS YEAR marks the 400th anniversary of the birth of Cyrano de Bergerac, but not the one you have in mind. Edmond Rostand’s hit play of 1897 invented an ultra-Romantic Cyrano, a magniloquent swashbuckler with a promontory of a nose. Hopelessly in love with his cousin Roxane, he sacrifices himself so she may wed the man she loves, ghost-writing his rival’s amorous declarations. This Cyrano—master duelist, improvisatory poet, independent spirit—has entered the popular imagination and spawned scores of imitations.

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AS the FIFTHETH ANNIVERSARY of Stonewall approaches, there are numerous visual arts projects illuminating the legacy of early queer liberationists, particularly subsequent generations of out artists who took up the mantle of social and political change.

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Trans marginalization in post-Trump feminism is embedded in the continued use of gender-essentialist rhetoric and symbols. Slogans such as “Pussy Power,” “Pussy Grabs Back,” and the ubiquitous pink pussy hats worn by a large proportion of women attending the [Women’s March on January 21, 2017] centered genitals as the primary symbol of womanhood.

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HOW DID the gay liberation movement of the 1970s evolve into the “LGBTQ” lineup of letters that we have today, and what are the implications for building a movement out of such divergent sexual and gender minorities? I offer here a thumbnail history of this accretion process from Stonewall to today.

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BORN IN 1962, Malcom Gregory Scott, is an American writer, activist, and AIDS survivor. As a young man he joined the U.S. Navy, but in 1987 he was discharged for homosexuality. Upon his release, Scott also learned that he tested positive for HIV. A decade later, his battle with AIDS nearly ended his life. Miraculously, with the emergence of protease inhibitors coupled with medical marijuana, he survived, and he survives today.

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Jim Elledge’s The Boys of Fairy Town brings to life this world in all its multiracial diversity from Chicago’s 1837 incorporation until the 1940s: sometimes hidden in the shadows, but often all the rage and thriving openly.

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PIERRE LOTI was a 19th-century French writer who was admired by writers as various as Henry James, Joseph Conrad, Willa Cather, and Marcel Proust, but is now almost totally forgotten.

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THE WORLD knows him as Peter Berlin, but his      real name is Armin Hagen Freiherr von Hoyningen-Heune. “Peter Berlin” was a stage name that he adopted upon arriving in…More

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