Browsing: Interview

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IN THE 1930s AND ’40s, George Platt Lynes was one of the best-known photographers in New York City. His portraits and fashion photographs were published in such national magazines as Town & Country, Vogue, and Harper’s Bazaar. Today, he is best remembered for a vast archive of male nude photography that has since the 1970s been increasingly “rediscovered” by a new generation of queer artists and curators.

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An interview with Daniel Heath Justice by Neil Ellis Orts. Justice currently teaches at the University of British Columbia (Vancouver) in their First Nations and Indigenous Studies program. He is an enrolled citizen of the Cherokee Nation. He has published extensively in literary theory and history, his best-known book being Why Indigenous Literatures Matter.<.em>

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VETERAN ACTIVIST Peter Staley attained a new level of notoriety after appearing in David France’s Oscar-nominated documentary How to Survive a Plague (2012). The film follows several key members of ACT UP as they perform various acts of political theater, from occupying the headquarters of a big pharma corporation to draping a giant condom over the house of notorious homophobe Jesse Helms. 

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NO ISSUE on “the Heartland” would be complete without an article on Chicago, undoubtedly the beating heart—or is it the brain?—of this vast expanse. With this realization, I immediately thought of John D’Emilio as the logical person to contact for a targeted tutorial on Chicago’s LGBT history and culture. A longtime contributor to this magazine

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LIBERIAN-BORN Cheryl Dunye grew up in Philadelphia, which is where she began her career as a filmmaker, a term that includes directing, producing, and acting in her films. Her first films were a series of shorts about her experience as a Black lesbian, and they combined documentary and narrative elements in what came to be called “Dunyementaries.”

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WHEN Abstract Expressionism exploded in the 1950s, Edward Melcarth was painting and sculpting construction workers, junkies, and hustlers in an epic style, highly influenced by Renaissance painters like Paolo Veronese and Tintoretto. This link between the past and present was a significant feature of his artistic vision, one that still has a striking effect on the viewer to this day.

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