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Interview with Paul Rudnick by Frank Pizzoli: PLAYING THE PALACE is Paul Rudnick’s new novel (reviewed in this issue), … He is also a regular contributor to The New Yorker, and his articles and essays have also appeared in The New York Times, Esquire, Vogue, and Vanity Fair. He is currently writing the book for the Broadway musical adaptation of The Devil Wears Prada.
This interview was conducted by telephone in late April.

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WAS SHE or wasn’t she? Again, we face that vexing question regarding the lives of lesbians and gay men, in this case of Molly Dewson, who was known as “the General” in the era of the New Deal. Dewson is the subject of a book by historian Susan Ware that suddenly seems relevant, which prompted me to seek a conversation with the author of Partner and I: Molly Dewson, Feminism, and New Deal Politics (Yale 1987).

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MARK DAVIS has been making mobiles out of his studio in the Roslindale section of Boston for almost thirty years. He began making “three-dimensional art” as a boy growing up gay in Indiana. His work has evolved into a unique and original approach that employs color, whimsy, and playfulness to create works of stunning beauty and grace, and of course, balance.

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MICHAEL CALLEN was a force of the universe. As an important first-generation AIDS activist and longtime survivor, groundbreaking queer musician, buzzing gadfly to the powerful, member of the beloved gay men’s vocal ensemble The Flirtations, and co-inventor of Safe Sex, Michael Callen touched the lives and hearts of queer folk profoundly in the 80s and 90s.

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FOR FANS of cabaret performance (bless them!), Mark Nadler is a familiar name. He has performed in virtually every cabaret venue in New York City and has toured the world, winning many awards and rave reviews.

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ERIC CERVINI is the author of The Deviant’s War: The Homosexual vs. the United States of America. The book is both a biography of gay rights activist Frank Kameny and a history of the times in which he lived and organized the first protests for homosexual rights in the 1950s and ‘60s.
This interview was conducted as part of a live, on-line series titled “Zooming through Queer Culture.”

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