Challengers stars Zendaya (already a Gen Z icon because of her role as Rue Bennett on Max’ lurid Euphoria series) as Tashi, Josh O’Connor (a young King Charles III on The Crown) as Patrick, and the lesser-known Mike Faist (a standout in the role of Riff in Spielberg’s West Side Story) as Art.
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Each story [in Conversion] is told in stages through the course of the film, which also examines the particular hold of conversion therapy in religious communities and its powerful reach through charismatic male leaders like Alan Chambers and Joe Dallas of Focus on the Family, and McKrae Game of Hope for Wholeness.
MoreAFTER A BRIEF HIATUS, here resumes my annual roundup of some of the films I saw at the Provincetown International Film Festival (PIFF) in June. While not an LGBT festival, there are always plenty of suitable entries for this magazine. Here are four.
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TRANS AND NONBINARY director Jane Schoenbrun’s new film, I Saw the TV Glow, is a disturbing and powerful meditation on queer identity and popular culture.
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Brilliant Exiles represents the culmination of years of research and study to restore the suppressed history of America’s female moderns. It belongs on the shelf of any reader interested in the cultural legacy of this period and beyond.
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THE ARRIVAL of Madonna: A Rebel Life, by Mary Gabriel, could not have been better timed. In the fall of 2023, the pop star launched a concert tour, which she called “Celebration,” as a showcase of her greatest hits.
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Reviews of Fellow Travelers, Lie with Me, and NYAD.
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And this is what Saltburn is really about: the seductions and pursuit of wealth and respect. The Cattons are depicted as pretty despicable people, emotionally attenuated, blithely unaware of the world, and often vicious to those around them. And yet, their lives of leisure and those fantastic parties are apparently too attractive to resist.
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PHOTOGRAPHER Amos Badert-scher (1936–2023) captured the queer landscape of Baltimore from Eastern Avenue near Patterson Park, along Wilkens Avenue, and the Meat Rack on Park Avenue in the 1970s, ’80s, and ’90s. His monograph Baltimore Portraits came out in 1999, and the recent exhibition Lost Boys: Amos Badertscher’s Baltimore in the Albin O. Kuhn Library Gallery at the University of Maryland, Baltimore, was the artist’s posthumous, first career retrospective.
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“IF YOU’RE NOT CAREFUL, you’re going to die a lonely old queen.” That’s a harsh caveat, especially when spoken by one’s wife. In Maestro, directed, cowritten (with Josh Singer), and produced by Bradley Cooper, those lines are delivered by Carrie Mulligan playing actress Felicia Montealegre Cohn, also known as Mrs. Bernstein. Cooper also plays the part of Leonard Bernstein, but his performance takes a back seat to Mulligan’s. An Oscar for Best Actress is widely discussed.
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