By Ignacio Darnaude
CHICAGO’S WRIGHTWOOD 659, a private institution focused on socially engaged art, is currently showing a landmark exhibition: The First Homosexuals: Global Depictions of a New Identity, 1869–1930.
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By Adam Kocurek
We Are Kind Of More is in many ways a genuine reflection of New York City, capturing the essence of the CUNY’s working class, intrepid LGBTQ+ youth, and is a wonderful case study of how enduringly passionate and resilient the community continues to be.
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PENISES IN ART are a bigger theme than you might think. After all, what is the number one question people ask in the Greek and Roman collection of any…More
Hymn To Apollo: The Ancient World and the Ballets Russes Institute for the Study of the Ancient World New York University, March 6–June 2, 2019 THERE IS much truth…More
Do you need another reason to come to New York in the year of the 50th anniversary of the Stonewall uprising? If so, these three exhibits should provide one. And if you’re going to be in New York in the next month, don’t miss The Young and Evil in particular.
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WITH the skyrocketing growth of our digital world and the ever-accelerating rate at which news and information are disseminated, many people, especially young people, may have little knowledge of…More
It’s been 6 months since Juan Bastos’s retrospective of his California portraits (November 4-18, 2017) and the profile of him in The Gay & Lesbian Review’s Nov-Dec issue. Above…More
This article was originally posted on www.thegamesmenplay.com, Georgette Gouveia’s blog. It is the subject of the second episode of the well-written, haunting new art historical series, “Civilizations,” now airing on PBS;…More
CONSIDERING Boston’s reputation for Puritanism, you might expect the city’s Museum of Fine Arts to have a suitably sexless art collection. And yet, the MFA has one of the world’s…More
David Hockney is an artist of our own time. Being openly gay and making openly homoerotic work was important to him from early in his career—even when gay relations were still illegal in the UK—and this retrospective is replete with gay themes.
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