By Tae Ho Kim
An adaptation of the novel of the same name, which was long-listed for the International Booker Prize, the show will interest anyone curious about learning more about the gay scene in Korea, not merely as a piece of entertainment, but also as a sociological documentary.
By Dale Corvino
We the Parasites is a deeply personal and ekphrastic poem-as-essay. It pursues its end to contaminate criticism with the queerest of methods. Dig in.
By Steve Warren
The title, Queen Tut, is essentially a spoiler. Our young hero, Nabil (Ryan Ali), doesn’t choose it as his drag name until near the end of the film.
By Leslie Absher
McCray’s writing focuses on his complex identities in an expansive and non-reductive way. Each a worthy subject, McCray unpacks all facets of his identity, as they are also portals into further exploration.
By John Manuel-Andriote
Aging without the friends and lovers we expected to know all our lives, deep sorrow lurks, always, just beyond our laughter. How has it impacted our lives in the twenty-first century?
By Wendy Rouse
When I began researching the book Public Faces, Secret Lives: A Queer History of the Women’s Suffrage Movement, people warned me that I wouldn’t find much. They weren’t wrong.
Julian Carter in conversation with Jonathan David Katz about Carter’s new book, Dances of Time and Tenderness, published June 2024.
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Meet Trey Samuel Fetzer, a twenty-year-old Ohio State University student who’s seen here urinating on a rainbow flag that apparently he spotted on someone’s front porch one night last…More
There could be any number of reasons for us to display this cover of The New York Review of Books from May 9, 2024, one of which is slightly…More
By Irene Javors
The exhibit specifically focuses on five of Robert Owen Lehman’s musical manuscripts that are at the very heart of the story of the Ballets Russes.
