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By Jonathan Alexander
Both of these shows also offer us portraits of queer life and love amidst the homophobia of the mid to late twentieth century. But as I watched and thought about the film and series, I came to feel more and more…baited — queerbaited by the representation of our own history.

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By Cassandra Langer
“Visceral and shocking to many, Linus Borgo’s first solo show, Monstrum, at Yossi Milo Gallery on Tenth Avenue in the trendy, Chelsea art district of NYC, seeks to awaken and educate viewers on what one is willing to sacrifice to feel at home in their body.”

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By Mike Dressel
It’s an hour before the Queer New York International Arts Festival (QNYIAF) is about to begin, which brings together an assortment of global artists to explore queerness through art. And includes a performance piece by the Serbian-born actor, Bruno Isaković.

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By Irene Javors
Freud’s Last Session takes up the challenge of offering the audience yet another perspective on the highly controversial psychologist.

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By Phil Tarley
Rustin, Maestro, Fellow Travelers, and now a ghost story, All of Us Strangers, are among a number of films released last year, driven by queer characters.

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By Blake Smith
While there were a handful of openly gay publishers (such as Felice Picano and Winston Leyland) at small independent presses throughout the country, there wasn’t anything like a publicly gay man at one of the major publishing houses developing a line of fiction and non-fiction written by gay men for gay audiences before Denneny.

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By Steve Warren
We Live Here: The Midwest, a documentary by Melinda Maerker, profiles five queer families who have managed to make lives for themselves in traditionally conservative, rural places where they would seem to have a harder time fitting in: Iowa, Nebraska, Kansas, Ohio and Minnesota.

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By Richard Schneider
There could be any number of reasons for painting your apartment building to look like a gay flag.

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By Kevin Winkler
It wouldn’t be fair to call Howard Jeffrey a forgotten name since he was never particularly well-known. But as a dancer, choreographer, and later a producer, his personal and professional lives intersected with several key figures in mid-century theater and film.

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By Diana Sadretdinova
Since 2014, however, the majority of Russian TV has turned LGBT people into the regime’s main enemy. Viewers are fed a steady stream of political talk shows with guests espousing hate group ideologies from morning to night.

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