By Allen Ellenzweig
As Long As I’m Famous wishes to be an exposé of Broadway and Hollywood in the period after World War II; the narrative action mostly takes place in 1948.  It focuses on a half-dozen overlapping relationships, but mostly zeroes in on the young Montgomery Clift …

By Laura Moreno

“Hello, new me. She’s now strong. She’s now confident. She is alive. She’s in love… I am here. I am her. I am transvisible.”   

By Richard Schneider

François Ozon’s new film was billed as a “Secret Screening” at the festival, as all information about it was embargoed. We knew only that John Waters described it as “a lu-lu,” and that description seems fair enough. …

By Richard Schneider

The “magazine/catalog” started publishing in the mid-1970s at a time when Sears and Macy’s were still airbrushing men’s bulges out of underwear ads. Not so International Male, which began to present men in a whole new way …

Film Review By Richard Schneider

The protagonist of Lonesome is one of those gay men that you would never pick out of a crowd, a taciturn cowboy from Australia’s cattle country who just happens to fancy the dudes.

By Colin Carman
“EVERYBODY comes to Hollywood [and] wants to make it in the neighborhood,” Madonna mused nearly two decades ago on “Hollywood,” asking “How can it hurt you when it looks so good?” That paradox—all the glamour and grime of show business—is well depicted in Circus of Books and Hollywood, a documentary and miniseries, respectively.