Browsing: March-April 2013

March-April 2013

Blog Posts

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In All We Know: Three Lives, Lisa Cohen rescues from history’s dustbin the lives of three extraordinary, glamorous, brilliant, independent lesbians. Cohen’s project is a welcome addition to the Herstory Project.

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THE QUEEREST SHOW on Broadway in the summer of 2012 didn’t feature drag queens, buff chorus boys, or lesbian love songs. Instead, audiences attuned to the codes of same-sex relationships may have been surprised to find the delightful zing of transgression in an old-fashioned chestnut about the love between an amiable alcoholic and a six-foot-tall invisible rabbit.

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… Knowing Kearns, I knew to think twice. I first met him in 1999 as a colleague working to open USC’s ONE Institute & Archives. I interviewed him formally in the summer of 2005 as part of my research on the history of GLBT activism in Los Angeles. My second interview with Kearns, occasioned for this article, arose from a heightened interest in branding and labels inspired by my impressions of the cover of his new book. …

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From the Sometimes-these-things-write-themselves File A 911 call came into the call center in Springfield, Illinois, from a man saying in a muffled voice: “I’m stuck in a pair of handcuffs and I’m going to need help getting out before it becomes a medical emergency.” Turns out it was Father Tom Donovan of the St. Aloysius Church—who would have guessed?

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Editor’s Note: The sudden, shocking death by suicide of 26-year-old Aaron Swartz, programming genius and free speech activist, provoked a huge Internet backlash when it was learned that he was being aggressively pursued by a Massachusetts prosecutor for the alleged crime of downloading scholarly articles from the database GSTOR. The case raises all kinds of issues of prosecutorial overreach, antiquated laws governing cyberspace, and so on. But there’s also a curious twist in that Aaron Swartz was apparently gay or bi-or, rather, not …

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… Golden Age is a provocative meditation on the overlapping nature of sexual love and artistic creation. Both the artist and the lover strain to grasp what is ineffable, creating in one’s mind a beauty that can never be fully realized, much less tangibly enjoyed. …

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A RELATIONSHIP can work like an addiction, giving a taste of infinite satisfaction while keeping its members clinging to each other.  In Keep the Lights On, Ira Sachs (The Delta, Forty Shades of Blue) has brilliantly documented the arc of his own troubled nine-year relationship with literary agent, author, and addict Bill Clegg.

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