Browsing: March-April 2006

March-April 2006

Blog Posts

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Although Brokeback is too painful a movie to watch many times, the curious thing is it makes you want to fall in love again. Instead, one listens to the soundtrack, which alternates between the pastoral beauty of Gustavo Santaolalla’s theme on the guitar-so spare, so haunting-and the raucous, messy world of the bars, where Matthew Shepard met his killers. I’m not sure why Brokeback is so moving. But in the end I think it has something to do with its being what McMurtry called it: “a tragedy of emotional deprivation.” This is surely a universal experience, but at a certain point in life most gay men seem to conclude that it’s the particular fate of being gay.

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In Capote, Philip Seymour Hoffman’s masterful portrayal of author Truman Capote vividly conveys the weight of those burdens as part of director Bennett Miller’s cautionary tale of the pleasures and dangers of storytelling.

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This charming, delightfully queer pastoral, which was originally published in 1966, has been brought back by Little Sister’s Classics, a series of books created by Arsenal Pulp Press and the Vancouver bookstore Little Sister’s to revive gay and lesbian literary classics.

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