Browsing: May-June 2010

May-June 2010

Blog Posts

Andy Warhol: The Last Decade thom th Joseph D. Ketner II
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ANDY WARHOL is best known for the Pop phase of his work, for fusing high art with low, starting in the 1950’s. “By the end of the 1970’s he felt trapped by the public’s expectations of him to present images of popular culture and to embody fame and social celebrity through mass media,” writes Joseph D. Ketner II, in Andy Warhol: The Last Decade, a collaborative venture between the Milwaukee Art Museum and the Andy Warhol Museum in Pittsburgh. “He had grown weary of the continuous parade of society portrait commissions and physically exhausted by the nightly clubbing on the New York social circuit.”

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THIS YEAR marks the 110th anniversary of the birth of William Pahlmann, an internationally acclaimed interior designer who beautified numerous public and private spaces and made a uniquely gay contribution to the U.S. war effort in World War II.

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Boylan has been married to Deirdre Finney (or “Grace” as she’s called in She’s Not There) for 22 years. The couple has two teenage sons, Zach and Sean, who refer to Jenny not as “Mommy” or “Daddy,” but as the hybridized “Maddy.” This interview was conducted in February via e-mail (a medium that Salinger probably dreaded).

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WHEN A BRIDE and groom exchange vows in a cathedral, chapel, or temple, they receive a marriage license blessed simultaneously by their clergy and their state. But why? Other religious ceremonies aren’t wedded to civil ones. The county clerk doesn’t issue a baptism license. A priest doesn’t deliver a funeral eulogy and then sign the death certificate. Could separating religious and civil marriages solve the gay-marriage standoff?

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CONTEMPORARY AMERICAN POLITICS features a phenomenon that would have baffled Anita Bryant in 1977: the stealthy homophobe. Bryant looked voters in the eye and said that gay people were a threat to society. Right-wing political figures in the 21st century often act on the same belief but lack Bryant’s candor.

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Eyes Wide Open Directed by Haim Tabakman Original screenplay by Merav Doster
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EYES WIDE OPEN is a compressed drama of forbidden same-sex love within an insular community, namely the highly regulated society of Orthodox Jewry in a tight-knit neighborhood in Jerusalem. Presented in New York at this year’s Jewish Film Festival, the film is a stark reminder that the irregular contours of gay experience are perhaps best depicted by those outside the commercial cinema who are not bound by its cosmetic imperatives.

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THE ECONOMY wavered back and forth and the nation’s most important film festival marched into the new decade with a bang. Set against the unexpected largest snowfall in years, the Sundance Film Festival opened on January 21, breaking an opening night tradition by screening not one but three cinematic events. There was a shorts program and there was a screening of the documentary Resperto, a pro-soldier vehicle in the vein of The Hurt Locker. And then there was Howl.

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ONE THING that becomes entirely clear as you read Herbert Keyser’s latest book, Geniuses of the American Musical Theatre: The Composers and Lyricists, is that the author is a font of knowledge about song on stage. As his bio tells us, the book is based on the lectures Keyser delivers to passengers on cruise ships. Even if the author is conspicuously heterosexual (his bio lists a loving wife, six children, and ten grandchildren), there’s something innately gay about a book on the topic of musical theatre.

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Reviews of Inseparable, The Paris Letters of Thomas Eakins, Oscar Wilde and the Dead Man’s Smile: A Mystery, A Trace of Smoke, and Pacific Agony.

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A Dangerous Liaison is a well-researched, thought-provoking biography. It reveals the complex, sometimes distressing human beings behind two of the most influential philosophers and writers of the 20th century.

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