ANDY WARHOL is best known for the Pop phase of his work, for fusing high art with low, starting in the 1950’s. “By the end of the 1970’s he felt trapped by the public’s expectations of him to present images of popular culture and to embody fame and social celebrity through mass media,” writes Joseph D. Ketner II, in Andy Warhol: The Last Decade, a collaborative venture between the Milwaukee Art Museum and the Andy Warhol Museum in Pittsburgh. “He had grown weary of the continuous parade of society portrait commissions and physically exhausted by the nightly clubbing on the New York social circuit.”

The Professor and Other Writings, a collection of previously published essays and a new, jaw-dropping autobiographical piece about a lesbian affair in academia, is as inconsistent as such collections usually are. But the author’s ability to blend her scholarly interests (in the First World War, for instance) with moving details from her personal life and even her ancestry (a British great uncle killed in 1918) offer insights into both her ideas and her life from various angles.

Other than its girl-meets-girl twist, Forgetting the Alamo, Or, Blood Memory has all the ingredients of an old-time Western: …

THERE’S A LOT that’s improbable in Owen Hill’s mystery novel, The Incredible Double. For starters, there’s the protagonist, Clay Blackburn, who makes his living buying and reselling used books in Berkeley, California, and moonlighting as an unlicensed private detective. Even with rent control, it seems like an untenable arrangement.