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I caught Grand’s act in Provincetown, a one-hour singing tour de force in which he alternates between piano and guitar. I interviewed him in person the next day. Find out more about Steve Grand on his website at www.SteveGrand.com.

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Monk’s polyphonic music has been recorded by her own ensemble in eighteen recordings. Jean-Luc Goddard, the Coen brothers, Terrence Malick, and David Byrne have featured her music in films. The Kronos Quartet, St. Louis Symphony, and San Francisco Symphony have commissioned new scores.

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DAVID LEDDICK may be known best for his homoerotic art books, though it could be for his many novels and memoirs—but then again, it could be for his musicals or film appearances. And yet he started his career as a dancer with the Metropolitan Opera and spent years in the advertising biz, in Paris, as creative director for Revlon and L’Oréal. You get the idea.

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GAY AND LESBIAN READERS in the 1970s devoured After You’re Out (1975) and, years later, Out of the Closets: Voices of Gay Liberation (1992), books that Karla Jay co-edited with her close friend Allen Young. Younger generations have encountered Jay in She’s Beautiful When She’s Angry, Mary Dore’s 2014 documentary about mid 20th-century feminism.

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IT WAS just about fifty years ago that singer–songwriter Janis Ian had her first hit, “Society’s Child” (1967). Nearly a decade later she released “At Seventeen” (1975), which became her signature song. Since then, she has had a multifaceted career as a recording and touring artist, and she is an accomplished writer of essays, science fiction, and an acclaimed autobiography.

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LIKE a latter-day Jean Genet, Michelle Tea is a writer whose work has always been closely associated with the queer demimonde. For almost two decades, she has produced a series of memoirs and autobiographical novels about her growth as a working-class artist and sexual maverick, beginning with The Passionate Mistakes and Intricate Corruption of One Girl in America (1998).

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