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The Gay & Lesbian Review

A bimonthly magazine of history, culture, and politics.
Archive for "March-April 2023"

Browsing: March-April 2023

March-April 2023

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[Keeping Family Secrets] ]is itself based on memoirs by people who lived through this era, people whose often jaw-dropping personal stories came to light once it was safe to reveal them in memoirs. The “secrets” are organized into categories: absent siblings, i.e., children who were institutionalized all their lives because of physical or mental disabilities; same-sex desire among boys; “unwed mothers”; parents who were members of the Communist Party; unorthodox conceptions (hidden adoptions); and hidden Jewish ancestry.

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IN ERNESTO MESTRE-REED’S novel Sacrificio, Rafa is a penniless Afro-Cuban teenager from the rural eastern part of the country who travels to the fishing village of Cojímar, famous as the setting for Hemingway’s novel The Old Man and the Sea. Rafa is cruised and picked up by Nicolás, then taken to Havana to become a waiter in the semi-legal restaurant run by Nicolás’ family. Welcomed as another son by Nicolás’ strong-willed mother Cecilia, the family struggles to make do while catering to the dwindling number of “Yuma,” foreign tourists.

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EDAFE OKPORO’S Asylum: A Memoir & Manifesto  opens at a market in Warri, a rural town in southern Nigeria, where he experiences his earliest years. As he and his mother wait in line for hired street youths to help them carry their purchases, two of the young men come to blows over who will get the job.

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Taken as a whole, Brown Neon shines a light on identities, experiences, and artworks not often explored in the realm of creative nonfiction. In this way, the collection feels wholly original even though it’s firmly rooted in the social and historical context that the author is seeking to explore. The result is an impressive group of essays that display a mixture of aching vulnerability, hard-earned expertise, and exquisite prose.

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IF you’ve been following the buzz on this book, you may wonder how Jodi Picoult and Jennifer Finney Boylan—two very different kinds of authors—decided to team up on a novel. As the story goes, Boylan dreamed that she’d written a book with Picoult, and she tweeted about it. Picoult saw the tweet and said some version of “Why not?” This is an important fact to know when you pick up Mad Honey. There’s a larger reason for the presence and contribution of both authors, and it lies within the story.

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WITH HIS FIRST NOVEL, Homo Novus, Gerard Cabrera has written an emotionally charged and deeply moving story of two men and the paths that brought them together. As the story begins during Holy Week in 1987, readers find a Catholic priest, Father Linus Fitzgerald, in a hospital in Massachusetts. He is very sick and is being looked after by a young seminarian, Orlando Rosario.

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Brief reviews of Novel Approaches to Lesbian History, Pathetic Literature, Less is Lost, and A Minor Chorus.

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The opera The Hours brings to the stage the LGBT love lives (including their failures) of Laura Brown, Kitty, Clarissa and Sally, and Richard and Louis. Indeed it adds one same-sex relationship to the mix. A key incident in both Mrs Dalloway and in the 1990s Clarissa story involves Clarissa buying flowers for the party. In the opera, the florist, Barbara (sung beautifully by Kathleen Kim), has an extended coloratura flirtation with Clarissa as well.

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It was Kenneth Williams, the most prolific of the Carry On ensemble, who appeared in 26 films in total. He was usually given the role of the overwrought, snide intellectual in a position of authority. His presence was unfailingly electrifying, with his clipped, nasal vocal intonations and facial expressions of remarkable elasticity. He could elevate even the most lowbrow of breast-related puns with a subtle glance, a curt turn of the head, or an elaborately scandalized vocal delivery.

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CHICAGO’S WRIGHTWOOD 659, a private institution focused on socially engaged art, mounted a landmark exhibition, The First Homosexuals: Global Depictions of a New Identity, 1869–1930, last fall. A team of international scholars, led by art historian Jonathan D. Katz, assembled a groundbreaking show with over 100 paintings, prints, photographs, and film clips that reveal how, as Katz notes, “while language narrowed into a simplistic binary of homosexual / heterosexual, art gave form to a nuanced range of sexualities and genders that can best be described as queer.”

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