Browsing: September-October 2005

September-October 2005

Blog Posts

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… The Five Books of Moses Lapinsky is a fully engaging, compulsively readable stroll-sometimes a race-through the mean streets of Depression-era Toronto with the Lapinsky brothers. …

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Following is a statement issued by the Alternative Lifestyle Foundation (LGBT Humanitarian Project) of Nigeria. This unsolicited report describes a dire situation for gay men and lesbians in one of the world’s poorest countries, and announces the formation of an organization whose mission is to fight anti-gay persecution and to lobby for sexual equality. We publish this report as a public service in the hope that some readers will respond to the group’s plea for help in getting this organization started. [The editors.]

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FILM DIRECTOR Gregg Araki was born in Los Angeles on Dec. 17, 1959. The only child of Japanese parents, he grew up in Santa Barbara, eventually earning a masters degree in film production from the USC School of Cinema/TV. He currently lives in Los Angeles. …

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… Despite the absence of relevant letters and notebooks, 1903 was actually a fertile writing period for [Gertrude] Stein, who appears to have coped with the grief following her breakup with Bookstaver. She either wrote or blocked out two novellas, Q.E.D. and Fernhurst, and also wrote extensive notes for what would eventually become her massive novel, The Making of Americans …

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Take on news of the day.

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“Caution: Extremely gross and disgusting.” Are these words of warning or enticement? When that’s the disclaimer on sexually explicit gay-related material posted on right-wing websites, it’s hard to know for sure.

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NEAR THE END of Gus Van Sant’s 1991 film My Own Private Idaho, Scott Favor, played by a young Keanu Reeves, looks out from a limousine window to see his friend Mike Waters, played by River Phoenix, asleep on a sidewalk. The scene represents a significant plot shift in the film: …

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… Although quite enjoyable, the books are a product of their time, and the reader is transported to the early 1970’s with references to hippies, love-ins, the fuzz (the police), phonograph records, bellbottom dungarees, young people whose motto was “never trust anybody over thirty,” and electric typewriters. …

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THIS IS a gripping memoir by a man who spent his early life trying to be “the best little boy in the world.” It’s a quest that seems to be common for many gay boys growing up; it’s just that the path taken by Rich Merritt to be the best was a bit more extreme than the one that most boys, gay or straight, pursue. But so was his Christian fundamentalist education …

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