Browsing: Art

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Vaughan is known as much for his journals as for his paintings. The journals span nearly four decades from his experiences of World War II, to his successful career in the 1950s and 1960s, through to his bouts with colon cancer and ultimately suicide in 1977.

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Cuban Art Exhibit
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ONE OF THE MOST prestigious art galleries in Havana is La Acacia, is placed in a highly touristic zone of the city. An unusual art show took place in that gallery from January 18 to February 28 of this year called Sex in the City, a collective exhibition of homoerotic Cuban art.

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Cedric Morris. The Dancing Sailor, 1925
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THIS IS a remarkable exhibition to be found touring three lesser-known provincial art venues in southern England. One of the venues, Falmouth, fully makes sense, in that many of the paintings by Cedric Morris and Christopher (‘Kit’) Wood gathered here relate to periods spent in St. Ives and across Cornwall, and they feature the usual subjects: fishermen, village life, rural scenes, and tin miners. But other paintings describe a very different pair of trajectories …

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“CALLING SOMEONE ‘arty’ or ‘artistic’ has often been a euphemism for homosexuality, and political debates about homosexuality have often played out as arguments about images.” So begins Christopher Reed’s inquiry into why these relationships between art and homosexuality have persisted and flourished in the modern era.

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… Lomas dives deeply into interpretations of the Narcissus myth, examining the story’s inherent identity politics and its importance in helping early sexologists and psychologists articulate their theories about the origins and nature of homosexuality. …

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The Queer Encyclopedia of the Visual Arts Edited by Claude J. Summers Cleis Press. 373 pages, $29.95 (paper) THE 200 ENTRIES in The Queer Encyclopedia of the Visual…More

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BEFORE HIS DESIGNS for the Broadway production of Dracula and his animated titles for the television series Mystery! made him internationally famous, Edward Gorey was known mainly for a series of quirky little books of which he was not only the illustrator but the author and sometimes the publisher as well.

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According to the back cover of this oversize, illustrated book, author Jonathan Katz is tackling nothing less than “how questions of gender and sexual identity dramatically shaped the artistic practices of influential American artists, including Thomas Eakins, Romaine Brooks, Marsden Hartley … and many more.”

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YOU CAN GET TO Hide/Seek, the groundbreaking exhibit of gay art at the National Portrait Gallery in Washington D.C., which runs through February 13, 2011, in one of two ways. The first is down a corridor lined with photographs of Elvis Presley. The second is through an exhibit called The Search for Justice displaying black civil rights figures, Earl Warren, and two white feminists.

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THIS PAST HALLOWEEN WEEKEND, you couldn’t get a hotel room in Washington for love or money. I wish I could say that the hordes descending on the country’s symbolic heart were heading for the posh Friday night opening of Hide/Seek: Difference and Desire in American Portraiture at the National Portrait Gallery, the first-ever “gay show” of national significance.

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