What’s New Is How We View
LEAVE IT to director John Waters to succinctly capture why film scholar and critic B. Ruby Rich is such a pleasure to read: “Ruby Rich has to be the…More
LEAVE IT to director John Waters to succinctly capture why film scholar and critic B. Ruby Rich is such a pleasure to read: “Ruby Rich has to be the…More
IT’S ALMOST IMPOSSIBLE to imagine the early AIDS years without Larry Kramer, who became the de facto conscience of the plague in the 1980s. His 1978 novel Faggots almost seemed…More
THE CURATOR of the recent show Irreverent: A Celebration of Censorship at the Leslie-Lohman Museum in New York (Feb. 13–May 3, 2015), Jennifer Tyburczy is an art historian whose…More
DURING THE MANY 25th anniversary celebrations of the Stonewall Riots in 1994, I was somewhat surprised to hear so many people saying they had been there that night in…More
“You a bitch or whore?” asks Jamie Brickhouse with a mischievous grin from across the lacquered coffee table in his trendy Chelsea flat in New York City. With his copper…More
CHRISTINA SCHLESINGER is a wickedly interesting, unapologetic, and high-spirited visual artist whose erotic works were featured in a “pop-up” exhibition at the Leslie Lohman Museum in New York’s Soho district…More
RYAN LANDRY has been the indisputable king (queen?) of New England fringe performance for years. A comic playwright and impresario of drag theater, his parody productions of classic movies, fairy tales,…More
“NO FAMILY is safe when I sashay,” sings Mike Hadreas, otherwise known as “Perfume Genius,” on “Queen,” the haunting first single on the new album Too Bright. The video for…More
THREE DECADES AGO, Bill T. Jones jolted the New York dance scene. Bucking the prevailing stripped-down postmodernism, he and his partner Arnie Zane created sensational dances collaborating with composers,…More