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By Michael Rosenfeld: Eekhoud’s reputation as a defender of same-sex love was firmly established after his acquittal in 1900 and he created a network of European queer intellectuals that included Oscar Wilde, Magnus Hirschfeld, André Gide, Edward Carpenter, Rachilde, Jacob Israël de Haan, Eugen Wilhelm, Karl von Levetzow, Elisàr von Kupffer, and others. Together, they discussed queer love in their works and helped each another to find editors and journals in which to publish.

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According to official records, Gertrude Sandmann no longer existed in 1943. Other Jews had fled or been murdered, but she was still alive in Berlin.

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The phrase “gay privilege” may conjure images of velvet mafiosi clinking glasses at a bisexual billionaire’s swank Hampton digs, but I came to know an extremely specific and rare manifestation of it at the worst moment of my life. It was right after I had been arrested. A

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BY DAY, the pseudonymous Jennie June lived a respectable, middle-class life in early 20th-century New York. By night, he traipsed through the shadows of working-class communities as a woman, cruising soldiers and other trade. If he’d been born a century later, he might have seen himself as a trans woman or nonbinary person, but in the language of his era he identified as a “passive invert,” a “Uranian,” a “fairy,” a “boy-girl,” or an “androgyne” …

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SEXUALITY and the Rise of China, by Travis S. K. Kong, reminds me of two books that I reviewed in these pages in 2015: Petrus Liu’s Queer Marxism in Two Chinas, and Tiantian Zheng’s Tongzhi Living: Men Attracted to Men in Postsocialist China. Like the latter, it is based on interviews—in Kong’s case, with ninety subjects in Hong Kong, Taiwan, and mainland China. And, as in Tongzhi Living—tongzhi. which once meant “comrade,” increasingly refers to gay men in Chinese—excerpts from the interviews are by far the liveliest portion of the book. The rest is sociology.

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For men, the benefits of entering a celibate community are less clear—unless the men were reluctant to engage in vaginal sex in the first place. Some Shaker men could not separate the idea of sex from sin and were willing to live apart from their wives in return for the promise of a heavenly reward. For men who felt little or no desire for women, however, the Shaker life offered the opportunity to live in a community where interaction with females would be only intermittent, and highly regulated. Instead, they would live in intimate communion with other men

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In The House of Doors, Tan skillfully mirrors that competent, lucid style. There are no frilly flights of descriptive prose, no subplots, no psychological probing, no distractions from the rather simple plot: A famous writer travels to an exotic land to collect tales from the natives and writes a collection of six stories that tell those tales. Lesley’s telling of the Proudlock murder trial story unfolds like any straightforward detective story. Thus, in both content and writing style, Tan has paid homage to Maugham as one of the masters of unadorned prose.

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Books under review: Gays on Broadway by Ethan Mordden, and Gender, Sex, and Sexuality in Musical Theatre by Kelly Kessler.

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Hilda Doolittle was born in Bethlehem, Pennsylvania, to Charles Doolittle, a math and astronomy professor at Lehigh University, and Helen Wolle Doolittle, a painter and musician. Charles Doolittle was a widower who brought two sons into the household. In addition to these half-siblings, Hilda had three brothers. She enjoyed a happy childhood and loved the natural beauty of her hometown, which was then a small rural Moravian community. When Hilda was eight, the family moved to Upper Darby, PA, so her father could teach at the University of Pennsylvania. Her life continued smoothly as she excelled in high school, studying Latin and the ancient Greeks, and got into Bryn Mawr College.

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For in this quiet novel (Mother’s Boy) — and Gale’s fiction grows quieter and quieter, so even a bomb blast is muffled—Gale refuses to judge his characters. I sense that this is from a genuine generosity of spirit, a desire to allow the characters time to develop on their own. Quietly we learn that to become a mother’s boy requires the cooperation of both the mother and the boy, and it may lead, as in the case of Charles Causley, to some of the finest poems of his generation.

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