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By Brian Fehler
To Be Seen, Queer Lives: 1900-1950 reveals moments of queer life during the emerging explorations of identity after the turn of the century, including the vibrant years of the Weimar Republic, the years of Nazi persecution, and the early postwar years.

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All in the interest of keeping our finger on the Zeitgeist as it evolves in ways that those over, say, fifty may not have foreseen: there’s a new gay reality dating show called For the Love of DILFs

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By Vidal D’Costa
After its first season, Our Flag Means Death has amassed a dedicated fan base, particularly among the LGBT community.

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Focusing on the valley in which he grew up, Manuel Muñoz’s stories address issues he grew up observing intimately: immigration, poverty, farm labor, family ties and their unraveling, and where queer characters fit (or don’t) into that environment.

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By Mike Dressel
Spread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention.

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By Adam Kocurek
This collection presents its interviewees as a mosaic—a group of unique individuals who, when viewed together, represent the diversity of the New York community.

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By Richard Schneider
Seems it’s been a while since the religious Right went into full freakout mode over a logo or ad campaign, but they pretty much lost their minds over a change in those multi-colored and commercially personified candies known as M&M’s. …

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