By Geoff Cadman
That Gay Pride day on July 1st 1972 was filled with hope and determination and much has been achieved since. I do not like the huge cracks appearing in those first laid foundations. Below is my story from that sunny day in London, in the Summer of ‘72.
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By John R Killacky
“It is our intellectual journal.… If you want to deal with scholarly intelligent arguments, there’s really no place else we can publish,” writer/activist Larry Kramer was quoted as saying in that same New York Times article from 1998.
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By Kollyn Conrad
Identity is very fluid, and Lovato shows us that it’s okay to change and evolve.
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By Ken Stuckey
Jane Campion’s The Power of the Dog might best be described in paradoxical terms like “languid thriller.” …
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By Richard Schneider
François Ozon’s new film was billed as a “Secret Screening” at the festival, as all information about it was embargoed. We knew only that John Waters described it as “a lu-lu,” and that description seems fair enough. …
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By Sharon Angel
Acceptance and dignity are essential to human living. They are human rights that every living breathing person inherits and deserves. When these freedoms are violated, a person’s identity is invalidated. No individual should have to fight for their survival.
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By Richard Schneider
Described by director Todd Flaherty, who stars in the film, as a labor of love, Chrissy Judy begins like the stereotypical show biz movie in which we watch some performers onstage singing or acting their hearts out—in this case a lip-syncing drag act.
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By Richard Schneider
The “magazine/catalog” started publishing in the mid-1970s at a time when Sears and Macy’s were still airbrushing men’s bulges out of underwear ads. Not so International Male, which began to present men in a whole new way …
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Film Review By Richard Schneider
The protagonist of Lonesome is one of those gay men that you would never pick out of a crowd, a taciturn cowboy from Australia’s cattle country who just happens to fancy the dudes.
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