Browsing: July-August 2008

July-August 2008

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WHEN CHRIS KNIGHT was thirteen years old, his beloved father died. It appears there was no love lost between his parents: as soon as the funeral was safely over, his mother flew through the house, gathering all of her husband’s belongings. She put them in trash bags, hoping to wipe Bill Knight from her own memory and from that of her children.

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Bennett’s omniscient narrator shows us the internal changes that give rise to the Queen’s newly broadened perspective. … And so we witness from an omniscient perspective the Queen’s transformation …

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… Alistair McCartney spent his youth obsessed with his favorite encyclopedia set, and he has returned to it, as if he’s been haunted by it all these years. It’s a strange, intriguing narrative, mixing fact and fiction, the banal with the apocalyptic, and the nostalgic with the bizarre.

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FOUR FROTHY VIGNETTES, perhaps more properly defined as character studies, are strung together in this new comedy by Paul Rudnick, which I saw in a preview performance in New York. While AIDS and 9/11 are sometimes hovering on the periphery, sometimes presented in startling parallels, the author of Jeffrey (1993) and The Most Fabulous Story Ever Told (1998) keeps the tone light and the jokes rapid-fire.

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IN AS MUCH AS the teenage boy at the heart of Gus Van Sant’s new film has nothing funny or articulate to say, Paranoid Park may become this year’s anti-Juno.

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Barely a week after his 80th birthday, which was marked by a number of productions in the New York area collectively titled “the Albee Season,” the peripatetic author graciously took a break from his busy schedule and latest projects to be interviewed in person for The G&LR.

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Feeling Backward is a scholarly treatment of queer theory that assumes some knowledge of conventional literary theory. In it, Heather Love makes the argument that we have feelings in common with those who came before us, but early practitioners of queer theory have ignored the effects of oppression on our literature.

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I MUST CONFESS that I had never heard of Agustín Gómez-Arcos’ The Carnivorous Lamb before learning of this new translation of the book, which was originally published in 1975, but now I want to read all of his works. …

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In this book, Richard Canning, who teaches courses about AIDS literature to college students, has assembled eighteen short stories, written at what he calls “the epidemic’s darkest time of unknowing,” the early 1980’s through 1998. What is startling about these stories, especially for readers who lived through that era, is not how distant but instead how familiar they seem.

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WHILE COCTEAU IS perhaps best known to Americans for two of the movies he wrote and directed- La belle et la bête (1946) and Orpheus (1949), which figure on most short lists of great French films-he started as a poet and always saw himself as such.

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