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A FROTHY COMEDY of parlor-room etiquette and sexual wish fulfillment, Phyllida and the Brotherhood of Philander is the bizarro cousin of a Jane Austen novel, in which Regency manners and nuptial expectations are turned inside out. Ann Herendeen’s novel is a lively romp in which girl meets boy, boy meets boy, and everyone falls in love and lives happily ever after.

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The Stone Gods exemplifies what has come to be known as the eco-millenarian novel. In this case, Winterson cross-pollinates Defoe’s Robinson Crusoe with Nietzsche’s theory of “eternal recurrence,” a little Orwell, and a dash of quantum physics, to tell the cosmic odyssey of the renegade Sapphic scientist, Billie Crusoe and of her love for Spike, a sexy female robo-sapiens …

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JOSEPH A. MASSAD, an associate professor of modern Arab politics and intellectual history at Columbia University, does not shy from controversy. His departmental home page provides his response to an ad hoc grievance committee report that investigated allegations he intimidated students who disagreed with his political views on Israel. Massad turns the tables and accuses his detractors of a persistent witch-hunt.

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… James Davidson is famous for his fascinating study of Greek culinary pleasures (Courtesans and Fishcakes, 1998), and many scholars (including himself) expected him to provide the new paradigm on Greek homosexuality. Instead, he has refurbished a Victorian model: Greek love was not all about boys and sex; it was all about couples and romance. …

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THIS NEW BOOK of readings assembles eight autobiographical narratives written by late 19th- and early 20th-century Frenchmen (and one Italian) who were attracted to men, providing readable translations and just enough footnotes to answer obvious questions without slowing down the reading.

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AT FIRST GLANCE, this scholarly analysis of the impact of cinema and television on “common sense” (commonly accepted but not necessarily sensible) images of “blacks” and “women” within a racist, sexist, homophobic, postcolonial, capitalist culture looks like a summary of earlier theories.

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BRUCE BENDERSON’S iconoclastic new novel minces no words when it comes to the present state of contemporary culture: he believes a lot of things have changed for the worse.

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RICHARD BRUCE NUGENT, one of the youngest members of the Harlem Renaissance, and the only openly gay one, seems poised for his own literary renaissance. More than twenty years after his death, Gentleman Jigger, which Nugent wrote in the waning days of the Roaring Twenties and the early years of the Great Depression, has finally been published …

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… In The Humble Little Condom, author Aine Collier writes about the history of something that millions of people use but don’t discuss in polite company. …

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