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Feeling Backward is a scholarly treatment of queer theory that assumes some knowledge of conventional literary theory. In it, Heather Love makes the argument that we have feelings in common with those who came before us, but early practitioners of queer theory have ignored the effects of oppression on our literature.

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THIS SPRIGHTLY, informative book does a rare thing: it covers entirely new territory in gay literary studies. Queering the Underworld concentrates on the intersection of the fin de siècle phenomenon of “slumming”-that is, taking the bourgeois reader into the urban demimonde-and the emerging expression of gay and lesbian sexual identities.

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IN AS MUCH AS the teenage boy at the heart of Gus Van Sant’s new film has nothing funny or articulate to say, Paranoid Park may become this year’s anti-Juno.

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FOUR FROTHY VIGNETTES, perhaps more properly defined as character studies, are strung together in this new comedy by Paul Rudnick, which I saw in a preview performance in New York. While AIDS and 9/11 are sometimes hovering on the periphery, sometimes presented in startling parallels, the author of Jeffrey (1993) and The Most Fabulous Story Ever Told (1998) keeps the tone light and the jokes rapid-fire.

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… Alistair McCartney spent his youth obsessed with his favorite encyclopedia set, and he has returned to it, as if he’s been haunted by it all these years. It’s a strange, intriguing narrative, mixing fact and fiction, the banal with the apocalyptic, and the nostalgic with the bizarre.

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Bennett’s omniscient narrator shows us the internal changes that give rise to the Queen’s newly broadened perspective. … And so we witness from an omniscient perspective the Queen’s transformation …

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WHEN CHRIS KNIGHT was thirteen years old, his beloved father died. It appears there was no love lost between his parents: as soon as the funeral was safely over, his mother flew through the house, gathering all of her husband’s belongings. She put them in trash bags, hoping to wipe Bill Knight from her own memory and from that of her children.

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“THERE IS no such thing,” Robert Leleux’s boisterous Texas mother, Jessica Wilson, once told him, “as a happy medium.” With a funny, hyper-campy yet rarely sentimental prose style, Leleux has written a tale about coming out in small-town America and his family’s made-for-TV foibles.

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A FROTHY COMEDY of parlor-room etiquette and sexual wish fulfillment, Phyllida and the Brotherhood of Philander is the bizarro cousin of a Jane Austen novel, in which Regency manners and nuptial expectations are turned inside out. Ann Herendeen’s novel is a lively romp in which girl meets boy, boy meets boy, and everyone falls in love and lives happily ever after.

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The Stone Gods exemplifies what has come to be known as the eco-millenarian novel. In this case, Winterson cross-pollinates Defoe’s Robinson Crusoe with Nietzsche’s theory of “eternal recurrence,” a little Orwell, and a dash of quantum physics, to tell the cosmic odyssey of the renegade Sapphic scientist, Billie Crusoe and of her love for Spike, a sexy female robo-sapiens …

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