The Art Was Young and Gay
GAVIN BUTT’S BACKSTAGE exposé of the New York art world of the 1950’s careens between artsy jargon and artsy gossip. He rather defensively lays out his thesis in a lengthy introduction peppered with breathless 55-word sentences stating his themes. Doubtless the author is on his guard because he incorporates hearsay, rumor, and urban legend into dissection of this pivotal post-World War II Manhattan subculture.
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