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            Illusions of the Photographer: Duane Michals at the Morgan was a comprehensive retrospective at the Morgan Library & Museum, curated by Joel Smith, the institution’s groundbreaking first curator of photography. Michals’ photography epitomizes the conceptualist method—narrative and performed, illusionistic and dreamlike.

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Gorey, who died in 2000 at the age of 75, was the author and illustrator of a hundred-odd darkly droll little picture books with titles like The Fatal Lozenge, The Deranged Cousins, and The Blue Aspic. Although he grew up in Depression-era Chicago and lived most of his life in Manhattan, first-time readers often assume he was a denizen of gas-lit London.

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Rise Up is timed to coincide with the 50th anniversary of the Stonewall uprising, but one thing you take away from it is that New York was hardly the origin of the gay rights movement. It really began in Los Angeles and then spread to Washington, D.C.

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A vast number of the innovators who helped to bridge the classical world and the modern world were either gay, lesbian, or bisexual, starting with Diaghilev, Nijinsky, Isadora Duncan, and Ida Rubenstein.

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To commemorate acclaimed dancer and choreographer Jerome Robbins’s the centennial, two separate tributes warrant our attention: Wendy Lesser’s biography Jerome Robbins: A Life in Dance and the retrospective exhibition Voice of My City: Jerome Robbins and New York.

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These two books are not the place where someone unfamilar with Warhol’s œuvre should dive in. Flatley’s prose can sometimes lapse into postmodernist verbosity and opaqueness, a scholarly idiom that this reader found at time impossible to penetrate. Nevertheless, each essay makes a serious and valuable contribution to Warhol studies. The illustrations alone are well worth the price of these (somewhat expensive) volumes.

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Charlie Cinnamon: Legendary Press Agent Jewish Museum of Florida, Miami Beach June 19 to Sept. 16, 2018 IN THIS RETROSPECTIVE exhibition of the extraordinary career of Charlie…More

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Peter Hujar is known primarily for the unabashed, erotic intimacy of his male nudes and the glorious theatricality of his drag icons, but this important show also features searing photographs of urban detritus and stark cityscapes, as well as tender portraits of artists, friends, and animals, in addition to mummified remains in Italian catacombs.

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The organizers of Trigger can be commended for including contributions by pioneering artist Nayland Blake, whose “fursona” is hybrid bear-bison “Gnomen,” who playfully morphs into a different species and gender right before our eyes.

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Public support for all of the arts is under threat in the wake of last November’s election. In this interview, which was conducted by phone in May, O’Hanian addresses the challenges facing both artists and arts organizations in the current political environment.

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